
Write with your friends.
It does not strike us as odd that a book would be published with
only one author named on the cover. Yet the reality of writing
has
always been that the single author likely, hopefully, received
help; whether from a friend, editor, husband, writing group, teacher,
or a heckler at a
poetry slam. The writer may also be consciously reworking a classic
text, or retelling a story they heard at a party: echoes of other
works abound, whether homage or plagiarism. There may be some authentic
solitary poets in garrets, but most of us, luckily, do not work
in a vacuum: we have a writing community, a personal life, and
muses of all kinds.
In a well-executed collaborative work, the strengths of multiple
authors can work together to create a text better than any of
the
writers could have written on their own. The disparity of different
voices can be used to a work's advantage. Even conventional print
fiction
usually involves a variety of different voices, typically
manufactured
by a single writer. What if these different voices
were actually written by different people? Or suppose the different
characters were developed by different writers? I have frequently
heard fiction writers talk in terms of "putting characters
in the same room together to see what would happen." If you
are working
with another writer, you might well be surprised at how your characters
behave.
The same conventions that dictate that a book should have a
single credited author also stipulate that a team of people with
clearly
defined roles should be involved with book production: publishers,
editors, proofreaders, fact-checkers, designers, printers, artists,
and publicists. As the publishing industry is slowly transformed
by new technology,
these roles, including that of writer, may change, overlap, or
disappear; and new roles may emerge as well.
For example, in the world of new media, hypertext, cybertext,
and electronic literature, collaboration is natural and necessary.
For a work prepared for the web or CD-ROM, technical skills are
needed that poets and fiction writers can't be expected to have.
Without the limitations and expense of print publishing, it becomes
possible and even desirable for a work of writing to involve color,
images, or even a soundtrack. Programmers, library scientists, designers,
composers, filmmakers, and writers can form creative partnerships
around works of writing.
While computer technology can allow writers to collaborate closely
with artists in other media, it will also help writers work with
other writers. The word-processor or text editor already offers
a highly refined tool for collaboration, when compared to the
inconvenience
of reworking someone else's typewritten text. Email will make it
easier for writers to work together, irrespective of where they
live. Sophisticated website management tools are already designed
to allow many people to work on a website or hypertext simultaneously
without overwriting each other's work. Do a web search on "collaborative
writing" and you will be amazed at how many tools you find.
The computer keyboard is still designed for a single person,
but
this may change too. The tools for collaboration between writers
are already in place, and new tools are being designed all the
time. [2004-05-01] There
is now a tool called SubEthaEdit that allows for multiple authors
to
work
simultaneously
in the
same text file.
Writing for the web. Choosing
a link is different from turning a page. A link tends to alienate
the two things it connects from one another: it can lead you to
a continuation as easily as to a refutation or non sequitur. Hypertext
is a writing environment in which having different, even conflicting,
voices feels natural. It is a wonderful medium in which to co-author
a work.
Collaborate. Think about you might work together with another
writer to make a text better than either of you could have written
alone, and how the experience might be more pleasant than working
alone. After all, writing is difficult and financially unrewarding,
why make it lonely as well? Understand that the collaboration itself,
not its final product, can be the work of art. Even if you would
never consider writing a serious work with someone else, collaborative
writing games can be a great way to exercise your abilities in an
environment where you have to respond to unexpected prompts, and
a way to exercise your ability to negotiate as well as write. Treat
your writing process as a way to strengthen relationships with people,
not a way to alienate yourself. Stop dividing your time between
your loved ones and your writing, write something together.
Here are some ideas:
1. Write a pantoum with
another poet, alternating stanzas. This will mean that you have
to write stanzas incorporating one another's lines. It may take
some time, but you can pass the poem back and forth like a game
of chess played through the mail.
2. Write a story with multiple points of view, in which each character's
perspective is written by a different author.
3. Take turns writing the lines of a poem, starting with the last
line and working toward the title.
4. Write a story or poem and let a friend substantially revise
it.
5. Agree beforehand on the plot
of a story, then divide up the scenes.
6. Just open up a word processor and take turns writing. Use more
than one computer and play musical chairs.
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