 Paul Kotheimer is a real inspiration to the Unknown. We carry his music
wherever we go. Many is the long hour on the Unknown road that would have
turned ugly without Paul’s songs, which make the time seem to pass more
easily. He’s a songwriter who reads books. He writes about typewriters and
old cars, he writes about the frustrations of being an artist in an
unforgiving cash-driven society, he writes protest songs and folk songs and
country and western songs and pop songs and rock ‘n’roll. He writes songs
about love and hard times, he writes songs about living like a Kafka novel.
He’s up there alone on the stage, he’s dancing like a frog, he’s yanking the
soul out of his acoustic guitar and throwing it around the room. He’s tuning
while he plays. He’s telling a joke about himself, he’s sipping a beer.
Maybe he’s in a coffee shop surrounded by a circle of old friends. Maybe
he’s in a fraternity bar, and everyone is ignoring him. Maybe he’s in the
back yard, maybe he’s in the studio. He keeps playing. He’s got his own
record label, he’s trying to make it on his own. He’s trying hard to make
it. Whether or not he makes it, he’s making music. And the music is good.
And he’ll go on making it. Paul Kotheimer, Unknown. WEFT is beautiful man. WEFT is the hippie station. WEFT is a better
university station than any of the university stations. WEFT is more
organic than the farmer’s market, more diverse than the Foreign
Languages building, and rocks harder than the Poster Children. WEFT’s
on the left side of the radio, literally and figuratively. WEFT is
love. WEFT is you, baby.And WEFT has a show cohosted by Paul Kotheimer, the Leonardo Da Vinci of the home folk music studio. A little story about Paul: once a local songwriter told Paul that she was interested in starting a collective of local musicians. Surprised, Paul responded that he had been acting, for years, as if there already were a collective of local musicians. He helps out everywhere, often for free: WEFT, the Red Herring, the Channing Murray, people’s weddings, loaning equipment, setting up PA’s, playing for something, nothing, anything, nowhere somewhere anywhere, in the acoustic nightmare of local cafés, 6th and Green late Friday night, crooning to drunk jocks, singing louder than the MTD Green line, playing the WEFT sessions having his music mixed through a blender, recording the Guerilla Parlor Ensemble, helping Beezus, helping me. Hoping somebody will occasionally toss the words “thank you” into his guitar case. That guy still hasn’t paid him for his Rickenbacker bass.  Paul’s
smile is bigger than the Sears Tower and when his eyes light us his
glasses look the west face of the John Hancock building at sunset.
He’s making music and the community is immeasurably better. The stereo
cities sound better as a result of his tireless assistance. Eventually
he will get a record deal and maybe move to LA, get ripped off and
become cynical, but we hope not. Last Saturday the weather was better
than ice cream and I went to visit Paul in the sweltering smoky cavern
where he was recording the new WEFT jingle. I was washwed up, my radio
career was like a dinasaur that had outlived the comet, but for Paul.
Special K. The celebrated Mr. Kite. Southpaw. A pal’s pal. Smoother
than reel-to-reel, sharper than a stylus, brighter than a laser beam,
Paul Kotheimer has eleven fingers. And that’s just his left hand.You should buy his CD and make an offer on his vintage Stratocaster. You should pay him for that Richenbacker bass. Or give it back. You should hear his songs. The songs that make me feel nostalgic for Urbana-Champaign, even though I’m still here. Songs that make me nostalgic for dogs I never had, people I never knew. Songs that read like short stories, songs that don’t rhyme, songs with no chorus, songs that in no way rock. And even songs that rock hard about girls and cars. And you should hear the songs he won’t let me play you. Ah, a couple beers, an upside-down 11-string, and Paul.  Paul’s aloft among the church spires and telephone wires. The TV
antennas all gleam like whitecaps upon the sea. Paul has wandered the
cavernous hissing fluorescent night. If he could get on a greyhound,
you know he would in a minute. Paul looks starched into his Sunday
clothes. He’s got a big fat black wallet full of cash when payday
comes. And now he knows just what Tom Clancy would say. I’ll be happy
when he croons to me on VH1. My mother says he’s dangerous. Paul looks
at the funny pages without even a smile. He wrote this song in a
minute. He feels like he’s been flattened by a truck but he managed
miraculously to survive. He could send me breakfast through the U.S.
mail. I can’t talk about it Paul, please just buy me a beer.
 Find out more about Paul Kotheimer And buy his CD “What I’ve Learned So Far” At The Hand-Made Records Homepage |
|
||||||
|
||||||
|
